Happy Holidays 2011!

Happy Holidays from the City of Heroes!

It's been on everyone's minds since the Halloween Event finished. WHEN will the Winter Event be here?

Well wait no more. It's here!

From today (December 13th, 2011) until January 3rd, 2012, Paragon City, the Rogue Isles, and even Praetoria will be visited by the Winter Spirit, scattering various gifts throughout the lands. You won't know what's in them until you open them up. It could be a mystery present. It could be a lump of coal. It could be a snowball. It could be a candy cane. Or it could be snow monsters ready to kick your butt. (Or at least they'd give it a good try.)

For those that are new to the City of Heroes, this is the time when you can collect some serious seasonal goodies, including some nice holiday-themed costume pieces.

You start out with some earmuffs...

Aren't those cool? You get those for free, just for showing up during that time!

You also get two gifts... one for yourself, and one to give to someone else. The gift for yourself gives you some XP debt protection. I would suggest you not open that one until you get to security level 10 or higher. The gift you give to others is a mystery. It could be anything. It could be a winter hat, some inf, or a temporary power. You won't know until it's opened.

Then what you do is go around the area opening up those presents, and even if you get the Winter Horde, they still have goodies.

But that's only skimming the tip of the Seasonal Iceberg.

For more serious gifts, you need to get to the Pocket D nightclub. There you'll find a special Ski Chalet has materialized nearby.

Yes, it's a beautiful place where you can ski down the slopes, enjoy some refreshments, and... take part in a few dangerous missions. Don't worry, it's a whole lot easier when you have friends with you. Or, maybe if you're a mastermind with a small army to call on. Speaking of which, you can bring in all sorts of people in on this. Heroes, Villains, Rogues, Vigilantes, and, yes, even Praetorians! Have fun, and the rewards are infinitely bigger and better here.

What sort of rewards? Santa-themed hats, gloves, and boots. Snowflake casting power. A special holiday flight-pack (fueled by Holiday Cheer no less). Five special reincarnation "golden rings" (BUH-duh-duh-duh...). Hey, how about that halo? You like? You can get one just like it. Or one that is burning if you're less-than-angelic.

Some of these goodies you get just for taking part in the missions, others you get by acquiring candy canes. Look for an elf in the Chalet that will exchange your candy canes for goodies. OR... or you can SELL the candy canes at Wentworth's. During the holiday season, that's big money!

Oh, one more thing... at some point you may have to deal with a HUGE snow monster. I suggest finding a league. The more the merrier.

Enjoy, and just remember that Enriche and Crey Cola do not mix well.

Much has changed...

Much has changed in Paragon City, and not all of it can be covered here in the Chronicles.

To see some of the biggest changes, here is a video of the run-through of the reconstructed Atlas Park, a peek at the Street Justice powerset in use, and a fly-by of First Ward, the first attempt to create Praetoria, and Emperor Cole's biggest failure. You'll also see that the Hamidon is far more powerful here than in the Primal Universe, with a hovering "Seed" creature on patrol.



There have been plenty of other changes, including the introduction of the Paragon Market, which gives characters access to features that previously they had to purchase in bulk, plus new stand-alone features such as exclusive pets and special costume pieces.

So the question remains... what happened to Battlerock X during this time? Well you'll hear from him soon.

Get Ready For Super-Powered Chills!

With the launch of City of Heroes Freedom, you have to wonder just what all of the new and returning heroes, villains, and Praetorians would find themselves into come Halloween. Seasoned veterans have come to enjoy several features of this mystically-bewitched time, including two Apocalypse events, trick-or-treating, and temporary costumes.

So the question is... how can you top that and make things exciting for both new and old operatives?

Five words:

Doctor Kane's House Of Horror!

Yes, we're talking a haunted house with zombies, giant monsters, Jack-O-Lanterns, and a challenge so dire that pulling it off will get you a new aura and costume change emote! Think you're up for the challenge? You better make sure you're up to at least level 15 and then get a team together, because you can't visit his house alone!

But if you can't get your friends together quite yet, there are still all of the other fun events, including the Zombie Apocalypse, the Deadly Apocalypse, Trick-or-Treating, and of course the eternal night and the giant monsters to keep the festivities going. You can load up with temporary costumes and get hold of those cheap cereal-box costumes that you can then trade-in with a certain witch to get an extra costume slot! (Note: you can only do this once, so if you've already done it, it won't work for you again. But these things can be worth a pretty penny on the market.)

So start practicing your best "Thriller" moves, and get in as much sunlight as you can, because once the sun sets on October 20th, it won't come back up again until November 2nd. And be careful, because some of the things that go "bump" in the night don't just "bump".

What's been going on in Paragon City?

It has been a long few months... and for those that wondered what happened... well, a picture says a thousand words.
Now more than ever, Paragon City needs more heroes! Visit their website to see how you can join in the fight!

Paragon Pundit Hero Movie Review #25

Paragon Pundit Hero Movie Review

#25: Megamind

When it comes to superhero movies, it’s rare to find one that takes the superhero ideal and turns it in on itself without coming off as being incredibly cheesy. And yet, this movie manages to pull it off.

“Megamind” is a computer-animated superhero comedy movie released in 2010 by DreamWorks Animation and Paramount Pictures. It was directed by Tom McGrath and featured the voices of Will Ferrell, Tina Fey, Jonah Hill, David Cross, and Brad Pitt. It was released in both traditional and 3D formats in the theatres but only in 2D format in the DVD release.

The story begins with a rip-off of the Superman legend, namely a blue alien baby from a dying world is sent into space by his loving parents. He is given some last-minute messages and his “minion” in the form of a sentient fish before being launched into space. Unfortunately as his ship travels to Earth, it runs in conflict with another orphaned baby ship containing the “perfect baby”, and the two orphan ships race to find the “suitable family” for their babies. The “perfect” baby ends up appearing in the living room of a wealthy couple on Christmas Day while the blue alien baby ends up in a prison yard. From there, the two grow up to be in constant conflict with each other. The “perfect” child would do everything right, while the blue child would end up getting tormented and blamed for everything.

Eventually the two grow up to be rivals in Metro City, with the “perfect” child becoming the superhero Metro Man (Pitt) and the blue child becoming the evil villain Megamind (Ferrell). And for years, the two of them have the same routine, consisting of Megamind kidnapping nosy reporter Roxanne Ritchi (Fey), putting her well-being in peril, and Metro Man would foil the “master plan” and send Megamind back to prison, where he would later escape and do the same thing over again. Lather, rinse, repeat.

So when Metro City honors Metro Man with his own museum and gigantic statue, Megamind cannot help but device the “ultimate” plan to humiliate Metro Man. With the help of Minion (Cross), Megamind kidnaps Roxanne and holds her hostage, knowing Metro Man would rush to her rescue, and accidentally fall into his deathtrap. But then, much to the surprise of everyone, Metro Man announces that the deathtrap is made of copper; his one weakness. When the trap is blown up by Megamind’s death ray, a skeleton wearing Metro Man’s cape is thrown from the blast area. At long last, Megamind has won and Metro Man is dead.

For a while Megamind uses Metro City as his own playground, but he quickly discovers he is bored by it all. There is no joy in being evil when there is no hero to save the day. While he prepares to blow up the Metro Man Museum, he accidentally comes across Roxanne, who also wished that Metro Man was still around. Killing the museum curator and taking his place, Megamind begins to befriend Roxanne and decides to follow her idea of creating a new hero. He takes a sample of Metro Man’s DNA to create a serum that would give someone superpowers. But Megamind accidentally sends the serum into Hal Stewart (Hill), Roxanne’s simple-minded cameraman who is head-over-heels in unrequited love with her.

Determined to turn Hal into the superhero worthy of replacing Metro Man, Megamind and Minion launch a scheme to trick Hal into thinking he’s really a “space baby” just like Metro Man. Megamind pulls this off by using the same holographic watch he uses to trick Roxanne into thinking he’s the museum curator, and turns himself into “space dad” (which is a knock-off of Marlon Brando’s Jor-El from the “Superman” movie).

Thus we have a montage of scenes of Megamind getting to know Roxanne and of him training Hal into becoming a superhero known as Titan (or “Tighten”, since it was the only name he could trademark). He also begins to clean up Metro City from his earlier celebrations, much to the pleasure of Roxanne, who begins to think that Megamind isn’t as “evil” as he used to be.

On the evening before the “Big Battle”, Hal, as Titan, shows up outside Roxanne’s apartment to woo her, only to have her utterly reject him. Meanwhile, Minion finds out that Megamind has been sneaking away to see Roxanne in disguise and that he is actually falling in love with Roxanne. Minion reminds Megamind that “the bad guy does not get the girl”, causing Megamind to blurt out that maybe he doesn’t want to be “the bad guy” anymore. With Minion leaving him in disgust, Megamind’s date with Roxanne becomes a disaster, with her finding out that he has been impersonating the curator, and proclaiming that she could never see herself with someone like him.

Dejected, Megamind orders his numerous robot drones to prepare his “Black Mamba” outfit so he can kick off his “big battle” with Titan in style. Sauntering into Metro City in his giant robot with AC/DC’s “Black in Black” playing in the background, Megamind calls out Titan, only to spend the whole day doing nothing but waiting in front of City Hall. Much to his horror, Titan has been spending his time stealing whatever he wanted.

Revealing that he’s really both “Space Dad” and the guy dating Roxanne, Megamind goads Titan into the promised battle, until Titan announces that he’s going to actually kill Megamind for not working with him. This forces Megamind to use his “contingency plan” and contain Titan in a ball made of copper. Unfortunately Titan breaks through the ball, much to the surprise of Megamind since Titan should have the same weakness as Metro Man. Megamind leaves, and Titan announces that the city wasn’t really “saved” as it was placed under “new management”.

And we’ll leave it here, because the rest will spoil the ending.

The movie is a great play on the classic superhero story, showing how the “eternal battle” gets to the point that it becomes boring to the participants. And of course there is the “Wiley E. Coyote” dilemma of what do you do when you get what you’ve been chasing for so long. The good guy always wins, the bad guy always loses, so what happens when the bad guy finally wins? This movie plays up on it quite well.

The vocal casting is done quite well. If you didn’t know it was Will Ferrell doing the voice of Megamind, you wouldn’t have guessed. On the other hand, you can see the facial mannerisms of Roxanne and see Tina Fey doing her voice, and the same holds true to Brad Pitt doing Metro Man’s voice. The characters are done over-the-top, but only just enough to avoid being cheesy.

The use of well-recognized pop songs to mark the arrival of Megamind help sell the character, although a few songs delved more into the “music video” category than helping to sell the story. This was the mistake that the people behind “Zoom” made as well, although DreamWorks didn’t go as far as Sony Pictures did.

In all this is a good hero comedy movie, and one that even villains should be able to enjoy.

Capes:	I’m hesitant to give this movie five capes. The hero level certainly gives it four capes.
Cheese:	While this is a comedy, and a great play on the classic hero story, there is still some cheese to it. I won’t say where because it will ruin the ending, but you’ll know when you see it. Don’t worry; it’s just Mild Cheddar (2).
Books:	Megamind is a good story, although not great, and with the few songs used more for “music video” than to convey a story, I have to give it three books out of five.

Everything Will Go!

The folks at NCSoft/Paragon Studios have announced that with the coming Free-2-Play model (aka City of Heroes: Freedom), all of their booster and expansion packs are going to be taken off the market on August 30th.

That means that if you haven't gotten the booster packs or expansion packs that you want, you better do so now before the 30th, or else wait until after FREEDOM goes online.

On the plus side, from now until the 29th, you can get the original City of Heroes program for $1.99 and the physical retail box (with all of the added goodies that go with it) for $9.99.

Good deals, so get them now or forever hold your peace until FREEDOM.

NEW: Tales from Paragon City #2

Hold on to your capes, heroes... the Praetorians have taken over!

(Click on the image or this link to download the PDF file.)

Who is this mysterious gunslinger in Praetoria? And why is he trying to bring back something unheard of in years?

Find out here!

Go Retro with Steam!

Feeling a little overwhelmed by all of the tech stuff in Paragon City?

Cross-dimensional devices just blowing your mind?

Want a life a little more simplistic?

Well now you can go RETRO with the new Steampunk Booster Pack!

Now you can go "Old School" with over 60 costume pieces designed to bring out the best of the 19th Century. These include old-style faces, hair styles, hats, beards, cameos, jackets, boots, gloves, pants, belts, and skirts.

How about wings? We have the best in wind-up wings. Need something a little more potent? We have a special Steam-Powered jump pack that will give you super-leaping abilities for a limited period of time.

How about hardware? We have the best weapons the 19th Century can give you! Remarkable pistols and rifles! And how about a rucksack? You've never had a rucksack before, have you? NEVER!

And because the 19th Century really wasn't that CLEAN, we have some new auras that show just how messy tinkering with oils and screws and springs can be. You can even change your outfits with either steam or oil. Or you can have some Victorian-style glyphs to show off your classic features to show how "prim and proper" you can be, even while you're thrashing your opponents thusly!

Oh, and as with other booster packs, these are all available from the start, so either new or seasoned characters.

Got you interested? Good, because it's only an affordable $9.95 (in 21st Century coin) over at the NCSoft Store. So get on over there and partake!

Paragon Pundit Hero Movie Review - Special Comment (Superman)

Paragon Pundit Hero Movie Review

Special Comment on the Superman Movie Series

I have a confession to make: Superman is my all-time favorite superhero.

Hands-down, no doubt about it, he is the icon that I wish I could be. I wished I could do the things that he could. He could fly, he travels super-fast, he’s super-strong, and nothing except kryptonite could hurt him! Okay there’s also the whole X-ray vision thing too, but that was when I got a little older and I also wanted to see what color Lois Lane’s underwear really was.

That’s why, when I give my reviews of Superman movies, I have this tendency to give him higher marks in the “capes” category, because he will always be the iconic model.

Unfortunately when the Superman movies came out from the late-1970’s through to the late-1980’s, Superman was relegated to being a cartoon joke along with all of the other TV superheroes. Sure he was super-serious in ABC’s Saturday Morning series “Super-Friends”, but he really wasn’t the star of the show. It was about “Wendy, Marvin, and WONDER DOG!” Or it was about “The Wonder Twins AND GLEEK!” Anything to stick in lame-ass bumbling kids and goofy cartoony animals pretending to be heroes. Superheroes of the time followed the lead of the campy 1966 “Batman” movie and TV series. Everything was campy and cheesy and about as serious as a Marx Brothers marathon.

That is why “Superman: The Movie” stood out. It stood out because Warner Brothers and Alexander and Ilya Salikind DID NOT play around with this film. They kept one word in mind through the whole process: EPIC. They wanted this to be one of THE BEST films of all time, and they spared no expense to make it so. They brought in the best actors, some of the biggest names of the time, including Glen Ford and Marlon Brando. They had celebrities like Rex Reed come in as cameos appearances, but they weren’t done for the sake of having them. They cast their lead character appropriately, especially using a relative unknown for the title character. They had a superb original and POWERFUL score by one of the BEST in the business. And they spared no expense for the special effects! They utilized green-screen and wireworks, which at that time were state-of-the-art. Bear in mind this was decades before computer-generated digital effects would be possible, never mind affordable, and certainly not realistic. Their Academy Award for special effects in 1979 was well-earned.

But most importantly, they kept the cheese factor contained. Sure, some of the scenes were done for laughs, but that didn’t mean that the whole film was.

The film’s running line was “You will believe a man can fly” and they made us into believers!

Unfortunately, as with all other things Hollywood, too many people in charge lost track of the little things that made a movie like that into a hit. “Superman II” was marred by a change in directors. “Superman III” was shoved into being a Richard Pryor comedy vehicle. “Supergirl” had a non-existent story. “Superman IV” had bargain-basement executives giving bargain-basement budgets and story. By the time “Superman IV” came out, everyone just wanted the whole thing done and over with, and, yes, that included the actors AND the audience.

And don’t tell me that the magic couldn’t happen again after that first movie; because the Salikinds proved that premise wrong with their “Superboy” TV series. If the suits don’t give a care, then it should be no surprise that their finished product is going to be shoddy.

When talking about the whole Superman series, there are two key questions that need to be asked.

(1) Does “Supergirl” count as part of the series?

(2) Where does “Superman Returns” fit in?

The answer to the first question is simple and to-the-point. YES, “Supergirl” DOES and SHOULD ALWAYS be considered part of the whole “Superman” movie series, no matter how bad it really was and how far it strayed even from film canon. Ilya Salikind had every intention of including “Supergirl” as part of the whole movie cannon, including bringing in Christopher Reeve for a quick cameo as Superman. Since Reeve passed on the idea (remember this came right after “Superman III” flopped), Salikind use a poster of Reeve as Superman and had Marc McClure come in as Jimmy Olson. So that pretty much cements the movie as being part of the whole cannon.

“Superman Returns”, on the other hand, is tricky. This movie operates under the premise that everything after “Superman II” didn’t happen. It takes the best of the first two movies, strips away ALL (or almost all) of the cheese, re-casts EVERYONE, and then makes us forget that we ever heard of Gus Gorman (Superman III), Selene the Witch (Supergirl), or Nuclear Man (Superman IV).

Is it part of the movie canon? No, but it should have been.

“Superman Returns” is how the series SHOULD have progressed if it didn’t take twenty years and a complete cast change. Lex Luthor is out of prison and still fixated on land grabs and on killing Superman by any means possible. He remembers the Fortress, and he knows how to get there. Lois Lane bears the fruit of her little journey from the second movie, even if she doesn’t “remember” how it came about. There is no “god-gaze” superpower where Superman could just stare at something and it gets better. You even get to see bullets bounce off him. He has great powers without the producers relying on that stupid “god-gaze” cheat. All of the things that would have been a great tie-in to the whole story were there.

So now the new challenge for Warner Brothers is to come up with a whole new Superman movie series. And here they are running into the same problems as the last film. Shifting directors, shifting directions, and now the executives want to do a complete “reboot” of the whole film canon.

Further complicating things is the fact that Warner Brothers had the “Smallville” TV series running for ten years before FINALLY putting it - and the continual teasing on the audience - to an end. That in and of itself warrants a special comment, but reconciling the Superman lore of the series with any future movie will be a challenge.

However this new “rebooted” series progresses, if at all, credit still needs to be given to the Salikinds for proving over thirty years ago that you could do a big-budget superhero film and have it pay off. They were the ones that set the standard that other superhero series, and indeed other superhero series from other publishers, have tried to keep even to this day. Just remember that when you promise the audience that they will BELIEVE a man can fly… then you better make sure that by the time the end credits roll, that you make believers out of them all.

Paragon Pundit Hero Movie Review #24

Paragon Pundit Hero Movie Review

#24: All-Star Superman

When it comes to DC Comics animation projects, the in-house Warner Brothers Animation group pretty much has a hit-and-miss record, with more misses than hits. This is especially true when it comes to releases based on popular comic stories, and this is one of them.

“All-Star Superman” is a 2011 direct-to-video movie based on the 12-issue miniseries by the same name written by Grant Morrison and Frank Quietly. It was written by veteran screenwriter Dwayne McDuffie, who sadly passed away one day before the movie was released to video. The movie was released by Warner Premiere and featured the voices of James Denton, Christine Hendricks, Anthony LaPaglia, Ed Asner, Linda Cardellini, Frances Conroy, Alexis Denisof, John DiMaggio, Steven Blum, Fiona Hughes, and Arnold Vosloo.

The movie starts with a series of still images being narrated by Lex Luthor (LaPaglia). Each image showed a single segment of Superman’s career, until we finally see him in orbit around the sun, chasing a spaceship containing Dr. Leo Quintum (Denisof) and his staff. One member of that staff is actually being remotely controlled by Luthor, with everything being prepared in advance to account for the time differential. We find, however, that Luthor’s cosmic puppet act was in violation of his parole. Superman (Denton) still manages to toss out Luthor’s puppet and saves Quintum’s ship using a brand new superpower.

Later, Superman and Quintum discover that the Man of Steel’s new powers are a symptom of his cells becoming supercharged from being too close to the sun. Essentially he is suffering from sun-cancer and is slowly dying. They both agree, though, that they need to keep this a secret, lest his enemies try to take advantage of this. But Superman does decide to put his affairs in order.

He first reveals to Lois Lane (Hendricks) that he is, in fact, Clark Kent, but she refuses to believe it. He shows her the Fortress of Solitude and all of its features, including the reconstructed HMS Titanic, the bottled city of Kandor, his army of Super-Robots, and his pet sun-eater, which he supposedly feeds it with newly-forged baby suns. After seeing a distant future version of Superman (the Kal Kent Superman from DC One Million) and his slight resemblance to her father, Lois fears that she’s being prepared for some weird Kryptonian experiment. Stealing a kryptonite gun and inadvertently shooting Superman with it, he discovers that kryptonite no longer has any effect on him either. But it calms Lois down enough for him to give her a special suit and a serum that would give her super-powers for twenty-four hours.

Unfortunately Lois’ newfound powers take a back seat to the time-travelling troublemakers Atlas (Blum) and Samson (DiMaggio), who know about Superman’s final months and challenge him to riddles and feats for Lois’ favor. After besting them in contests and solving the riddle of the Ultra-Sphinx, Superman and Lois spend the remaining time as equals making out on the moon and then she is fascinated by all the things Superman can sense as her powers disappear, and he tucks her into her bed before leaving.

Visiting Luthor behind bars while awaiting his death sentence, Clark’s presence is detected by the Parasite and inadvertently starts a prison riot. Clark manages to contain the damage, though, while still careful to not reveal himself as Superman to any of the inmates or to Luthor, who shows a modicum of respect for the “mild-mannered” Clark Kent after kicking a disabled Parasite to death. He also shows Clark a secret passage, proving that he could escape at any time with the help of his goth-teen niece Nasthalthia (Cardellini). He stays there, though, because he knows that Superman is dying, and he wants to see it happen.

After visiting his adopted mother (Conroy) and leaving an indestructible flower on his adopted father’s grave, Superman tells Lois that he has to leave to take the Kandorians to their new home world, and reveals to her that he may not be able to make it back in his condition. He does, though, only to discover that Metropolis has two new “champions” to marvel over: Bar-El (Vosloo) and Lilo (Hughes), Kryptonian astronauts and his ancestors that see themselves not as heroes, but as the new rulers of “New Krypton”. Eventually, though, they discover that they suffered from Kryptonite poisoning and were slowly dying. The only way they could survive would be through the Phantom Zone, but not before asking for forgiveness to Superman for their arrogance.

As Superman finishes putting his affairs in order, he faces the “Tyrant Sun” Solaris, while at the same time Lex Luthor, having recreated Superman’s super-serum, escaped from the electric chair and prepares to make his move.

At this point I have to stop the summary because it would ruin the ending, which, regrettably, is really the high-point of this movie.

Unfortunately, much like some of the other stories that are turned into movies, there is a lot that is missing in the transition from the original mini-series. Jimmy Olson becoming Doomsday, Bizarro and Bizarro World, a trip to the past with Kal Kent to visit his adopted father on the day of his death, and the discovery of Earth-Q (where Joe Schuster illustrates Action Comics #1) are all scrapped due to time constraints. Instead, what we get is a story that is full of remorse and regret, and an ending that comes off as less-than-triumphant.

Sadly, the movie was working with flawed material. Without the other stories, we have a Daily Planet staff full of people that act like a bunch of over-aged high school rejects, with the exception of Perry White (Asner) who seems to be the only newsperson in the building. (Kudos for Asner for channeling his old “Lou Grant” persona.) Even worse is when Bar-El and Lilo practically reveal that Clark Kent is Superman and the “Breakfast Club” wannabes around him can’t accept it. Even Lois refuses to accept that Clark is Superman, even after seeing him change right in front of her twice. Most of Lois’ time as “Superwoman” was reduced to being a damsel-in-distress-and-cosplay as Atlas and Samson challenge Superman for her affections.

“All-Star Superman” was meant to be Superman’s Ragnarok story. We know from the start that Superman is dying. The problem is that there’s no attempt to fight it. There are no “seven stages of grief” here; there is just acceptance. He’s dying, and he doesn’t try to do anything to change it. He’s essentially given up, surrendering to his own mortality, trying to complete his “Bucket List”, and find some way to end his “hero” career on a positive note. It’s depressing.

Adding to that melancholy was the voice acting. James Denton may do great playing a rugged character in “Desperate Housewives” but his voice did not carry on through as Superman/Clark Kent. Even Adam Baldwin’s version in “Superman: Doomsday” showed more emotion than Denton’s. A far better choice would have been Tim Daly or George Newbern, two people who know how to voice Superman. Even Denton’s occasional “Desperate Housewives” co-star Kyle MacLachlan did a better job when he voiced Superman in the (to be reviewed) “Justice League: The New Frontier” movie, and THAT Superman had a bit part. The only time Denton’s voice shows even the slightest emotion in it is through one point during the Solaris battle.

Anthony LaPaglia’s Luthor was stuffy, arrogant, and a continual know-it-all. And his continual dirge about how everything is Superman’s fault got tired WAY too early.

Christina Hendricks’ Lois was perky and almost out-of-place at times. It’s not the actress’s fault, though. Most of it is how Lois is written. She’s skeptical about Clark being Superman to a fault. When Lois has superpowers, how does she spend a good portion of that time? Standing around while Atlas, Samson, and Superman fight over her affections and going gaga over stolen jewelry. Not exactly the “liberated woman” that she’s supposed to be.

Without getting into spoiling the ending, the battles with Solaris and Lex Luthor were almost after-thoughts. More time was spent on Bar-El and Lilo than on both battles.

In all, the story itself was something of a letdown, a Ragnarok-level story that ends with a whimper instead of a bang. Maybe a part of it could be blamed on the material they had to work with, but that doesn’t mean that it couldn’t be improved, and maybe it would help if they got rid of the artificial time constraints they seem to impose and just let the story develop as it needs to.

Capes:	Normally I’d have to give Superman all-five capes, but here he’s only getting three, and that’s sad.
Cheese:	The cheese factor here is Mild Cheddar (2). When your first image of Jimmy Olson is of him in drag, and both Steve Lombard and Cat Grant are there only to play middle-aged high school students, then you know that it’s cheese.
Books:	In terms of storyline, I can only give three books out of five. There is SO MUCH that is missing from this.